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The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy
The Citadel: a trilogy

Mame-Diarra Niang

The Citadel: a trilogy

$900.00

The Citadel is the story of an inner journey, told in three movements. It maps a route through discovery, loss, and renewal across landscapes equally real and imagined by the artist. In 2007, Mame-Diarra Niang returned to Senegal to bury her father after spending years away living in France. Her intimate interest in the notion of territory translates into a refracted representation of the landscapes she rediscovered on this visit. The places before Niang’s lens are at once forensically studied and transformed into fabular non-places. 

Sahel Gris depicts a no-man’s land where infrastructural projects lay abandoned to the dust. It holds the roots of The Citadel, its ‘ground zero’, where the continuous horizon line evokes a state of permanent suspension between movement and inertia. In At the Wall, Niang pauses at a place of rest and interrogation, an oracle, and the gate to The Citadel. In Metropolis, Niang steps finally into the belly of the beast, looking outwards from within the crowded urban superficies that constantly shift before her eyes, dazzling in the southern light. At the centre of Niang’s vision is the notion of ‘the plasticity of territory’, in which a personal investigation of place becomes indistinguishable from the photographer’s own metamorphosis, and landscape becomes a ‘material for producing many selves.’ 

In these works, collected here in an expansive and tactile three-volume edition, a personal but analytic relationship with place emerges. City names and geographic coordinates dissolve and become as irrelevant as the visions imposed on them across history and today. 

Mame-Diarra Niang was born in 1982, in Lyon, France and lives in Paris. She is a self-taught artist and photographer. In her creations she explores her concept of the 'plasticity of territory'. Niang's first solo show, Sahel Gris, took place at the Institut Français of Dakar in 2013.⁣

Three volumes housed together in a printed slipcase
Limited edition of 1,000 signed copies

Sahel Gris: Hardcover with accordian fold. 17x24cm, 176 pages
At the Wall: Two paperback books bound into a hardcover. 17x24cm, 120 pages
Metropolis: Hardcover with japanese fold. 24x34.5cm, 120 pages

The Citadel: a trilogy|Mame-Diarra Niang|ISBN 978-1-912339-93-8|Language: English|Published by Mack|Jul 2022

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